- BEST SETTINGS FOR PINNACLE STUDIO 20 ULTIMATE MOVIE
- BEST SETTINGS FOR PINNACLE STUDIO 20 ULTIMATE 1080P
- BEST SETTINGS FOR PINNACLE STUDIO 20 ULTIMATE FULL
- BEST SETTINGS FOR PINNACLE STUDIO 20 ULTIMATE SOFTWARE
In fact, all these corrections do work on still images, too. Automatic levels and white balance also did an decent job of making the image more balanced. The Corrections tab of the Effects Editor let me fix lighting and colour – including stuff like Fill Light and Blacks, helpful corrections I usually associate with photo apps. I do wish, though, that I could double click in the main video preview window to crop, resize, and rotate, as is possible in many video editors. I could also rotate in the 2D editor effect, which also let me change position, size, transparency and more – pretty powerful. After a bit of digging, I found that rotation was possible by opening the clip in the Effects Editor, choosing Camera, and then scrolling across to Rotate.
BEST SETTINGS FOR PINNACLE STUDIO 20 ULTIMATE 1080P
I sometimes shoot with the iPhone's surprisingly good 1080p camera in landscape, but Windows usually presents these images upside down.
BEST SETTINGS FOR PINNACLE STUDIO 20 ULTIMATE MOVIE
A razor button lets you split clips or the whole movie at the playhead, but there's no multi-trim tool like PowerDirector's, which lets you mark multiple ins and outs.Īnother thing that PowerDirector makes easier is video rotation. There's no separate trimmer window as seen in most consumer video editing programs, but you can easily trim clips and add in and out markers in the preview video window. Trimming and splitting video on the timeline is intuitive, with a Smart Editing mode and Magnetic Snapping setting doing a good job of anticipating how you want to align clips and audio that you insert on the timeline.
BEST SETTINGS FOR PINNACLE STUDIO 20 ULTIMATE FULL
In case the results don't suit you, you can always go back and edit in the full movie and sound editing interfaces later. Most instant tools like this have a bunch of themes – sports, birthdays, babies – that you can apply, but Pinnacle has eliminated all that here. The result was attractive, with a title and transitions added and dull portions cut. The Smart tools let you preview and export their work, though when I did this, it took a few minutes of processing before I could preview. The same video settings for aspect (standard or widescreen), size (up to full HD) and frame rate that you get in the full movie editor are available.
You drag clips and music files into the tool's panel, and you can choose short, medium, or maximum clip length, and clip volume per cent. You start SmartSlide or SmartMovie from the Library view, rather than the Movie view, using the appropriately labelled buttons at bottom. They produce a finished movie without forcing you to get your hands dirty with the nitty-gritty editing tools. Pros wouldn't use Pinnacle Studio's SmartSlide and SmartMovie tools, but these will be welcomed by hobbyists. But you can apply tags and ratings, just as with most photo software, to help organise and retrieve relevant media later. Pinnacle doesn't offer Premiere Elements' ability to analyse the imported footage for faces, brightness issues or shakiness. But one thing not yet supported by Pinnacle Studio is the new Ultra HD 4K format, which PowerDirector can handle.Īfter an import, you're taken to a new tab showing just the clips from this last import – a helpful touch.
BEST SETTINGS FOR PINNACLE STUDIO 20 ULTIMATE SOFTWARE
The software recognises and imports 3D video clips and still photos, too. Capturing from analogue sources is possible if you have Pinnacle or Dazzle video hardware. You can also import from an attached camcorder, including AVCHD, DV, HDV, or Digital8 models. A new trick is that it can import from the cloud, in this case from the popular Box web service. Pinnacle Studio can handle almost any video file type you throw at it, including MPEG-1/2/4, WMV, QuickTime, and MKV. You can group items into Collection, which lets you work like a pro, keeping all the clips effects and other assets for a project together. The Library mode shows media and effects in groups separated by dark grey dividers, and it lets you search its contents and filter the view by star ratings or tags. Navigating the timeline is easy enough, but I'd like to see more (or any) use of the mouse wheel to move back and forth, and to shrink/expand its timeframe.Īll media organisation is done inside the main app – there's no need for a separate app like Premiere Element's Organiser. The Preview window can be popped out to full screen or split into a side-by-side layout.
All the panels are resizable, but they can't be undocked in the way Sony Movie Studio allows. To the right of that is your video preview window, and across the bottom are your timeline tracks. It's also logically laid out similar to most NLE (non-linear editing) apps, your source content – clips, images, sound files – are in a top left panel.